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An invitation to discuss teaching
Please join a discussion of teaching sponsored by MCC Carnegie member Jan Arabas during the week of April 25 through 29. The focus of this discussion will be an interview study I recently completed, in which I asked 25 teachers, "What are the crucial lessons for beginners in drawing and what are the best ways of teaching those lessons?" I have invited my informants to join the Blog to react to my paper. I would like to open this discussion up to the larger community as well. I invite you to read my paper before the discussion. If you would like me to e-mail a PDF of the paper to you, please contact me at arabasj@middlesex.mass.edu. See you April 25. Jan Arabas Download drawing_study.pdf
Posted: Friday, April 15, 2005 8:30 AM by Matt Scales
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Comments

Kurt Wisneski said:

In teaching beginning drawing, I am partial to a two prong approach. The first is to sharpen the student's observational skills through presenting a series of exercises that deal with drawing perspective from a distance along with additional drawing of hand-held objects that are  interpretations of form from close up. All of this is basic to their understanding of the history of visual vocabulary provided by previous artists.

The second approach is to generate discussions about the illusionary power of the 2d image. I exhibit artists who have challenged the world about image and illusion.

# April 25, 2005 11:56 AM

Kay Byfield said:

The biggest concern, of course, in educating students in any discipline is to develop their skills of problem solving.  Students rarely understand that that is the goal of an education.  Based on their past school experiences, they usually think they are in classes to master information and polish technique.  Regardless of the field, most teachers find that they have to realign the students goals with the goals of education and that means teaching them to think, rather than just to do.  

In art, that translates into problem solving skills with technique, the expansion of their ability to use the formal qualities effectively, and a realization that art is about the idea as much as it is about the thing.  I don't think this is so much different than math or psychology, but I tend to take a global approach to the world.

# April 25, 2005 12:30 PM
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